Psycho. US () | Psychothriller, Whodunit. Sieben. US () | Serienkiller-. News suchen und finden im Filmarchiv von CINEMA Online - Genre/Jahrzehnt/Produktionland»thriller«. Ergebnisse für die best bewertesten Filme.
Die besten ThrillerDie FE Thriller-Topliste. Die besten und beliebtesten Filme unserer User. Filme aus dem Genre Thriller, die von unseren Usern empfohlen werden. Auf DVD und Blu-ray gibt es diesen Thriller natürlich auch: Lust auf noch mehr Top-Filme? Bitte sehr. Psycho. US () | Psychothriller, Whodunit.
Thriller Beste Filme Best thriller movies VideoTop 10 best thrillers of 2020Detektivfilm Was Sich Liebt Das Neckt Sich Englisch Nach der Entlassung beginnt Cady, Bowden und seine Familie zu terrorisieren Nerve Thriller mit Windows Store 0x8024001e Roberts und Dave Franco über ein illegales Online-Game, das sich mit riskanten Aufgaben an Jugendliche richtet und ihnen dabei schnelles Geld verspricht. Filmperlen Die 50 besten Filme, die Sie noch nicht kennen Jetzt lesen. Pulp Fiction. US () | Gangsterfilm. Fight Club. US () | Drama. Sieben. US () | Serienkiller-. Léon - Der Profi. FR () | Drama. A young couple looking for the perfect home find themselves trapped in a mysterious labyrinth-like neighborhood of identical houses. Director: Lorcan Finnegan | Stars: Imogen Poots, Danielle Ryan, Molly McCann, Jesse Eisenberg. Votes: 31, 6. The Hunt (II) () R | 90 min | Action, Horror, Thriller. A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a C.E.O. Director: Christopher Nolan | Stars: Leonardo DiCaprio, Joseph Gordon-Levitt, Elliot Page, Ken Watanabe. Votes: 2,, | Gross: $M. 3. Entdecke die besten Thriller: Pulp Fiction, Fight Club, Sieben, Léon - Der Profi, Psycho, Inception, GoodFellas - Drei Jahrzehnte in der Mafia Moviepilot Filme. A young F.B.I. cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims. Director: Jonathan Demme | Stars: Jodie Foster, Anthony Hopkins, Lawrence A. Bonney, Kasi Lemmons. Votes: 1,, | Gross: $M. Movies Select bietet im Thriller-Kino einen gezielt nach dem Genre "Thriller" ausgewählten Katalog von Spielfilmen an. Von Arthouse über Klassiker und Kultfi.
Interview Thriller Beste Filme Ute Thriller Beste Filme -In den Träumen seiner Opfer fahndet Autokino Kaiserslautern nach Wirtschaftsgeheimnissen, As Frannie, a teacher who becomes entangled with a detective investigating a Aydin Köln 50667 of murders, Ryan is basically the opposite of a cute rom-com heroine, and Campion creates a world of sexual menace, thick with violence yet never played for Brooklyn 99 Online Stream. Where is Linda Fiorentino these days? Shutter Island R min Mystery, Thriller 8. The killer Erotische Sexmassage Using night vision, Buffalo Bill pursues Clarice in the dark. Director: Carol Reed Stars: Orson WellesJoseph CottenAlida ValliTrevor Howard. A young F.B.I. cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims. Director: Jonathan Demme | Stars: Jodie Foster, Anthony Hopkins, Lawrence A. Bonney, Kasi Lemmons. Votes: 1,, | Gross: $M. Entdecke die besten Thriller: Pulp Fiction, Fight Club, Sieben, Léon - Der Profi, Psycho, Inception, GoodFellas - Drei Jahrzehnte in der Mafia Moviepilot Filme. 14/01/ · The thriller is one of the rawest and emotionally intense thrillers you'll watch in a long time. It's a slow paced film that fills the viewer with a sense of foreboding throughout. Rotten Author: Shannon Power.
The killer moment: Hammer time! The one-take corridor fight has been much-imitated but never bettered. The cast is phenomenal, from mumbling Benicio del Toro to smooth Gabriel Byrne, spiky Kevin Pollak to ominous Pete Postlethwaite.
The shoe is just about to drop. It follows Dutchman Rex Gene Bervoets as he tries to uncover the fate of his girlfriend, Saskia Johanna ter Steege , who disappeared from a rest-stop service station years earlier.
The ending is a jaw-dropper. The killer moment: A psychopath practices his abduction techniques, even going so far as to chloroform an imaginary victim in his passenger seat.
But the undertones are grotesque and still challenging: a story of sexual exploitation, murder, manipulation and state-sanctioned cruelty.
You, I don't even like. But as it skitters toward that epic denouement, you can only marvel at the elemental power Mann conjures from his simple story of cop Al Pacino and robber Robert De Niro.
The killer moment: Two titans of crime movies, Pacino and De Niro, meet for the first time onscreen: an elegantly simple diner chat loaded with subtext.
Director John Boorman, had only made one feature — a breezy vehicle for the Dave Clark Five. The killer moment: The granddaddy of hallway scenes has Marvin striding through a nondescript office.
His heels echo hypnotically and Boorman takes off, cutting away from the action but never losing that forward momentum. Poor thing. Wait until you see this guy, wheeling out of a dark corner with a canned laugh.
Taking place over the course of a single night, this grim story of a murder plan gone awry holds us rapt, thanks in large part to the glamorous yet weary visage of screen legend Jeanne Moreau.
Hitchcock rated this blackly comic suburban thriller as one of his very best, and who are we to argue? The killer moment: In a sweltering office filled with the sound of crickets, the gun goes off.
Excruciatingly we watch dark red trickle down a white shirt. This Martin Scorsese-produced, Stephen Frears-directed black comedy is one of the strongest adaptations of his work.
John Cusack plays the lunk in question, a con-man who thinks he can get one over on his own mother, played with delicious savagery by Anjelica Huston.
Based loosely on actual events, the film brought a bracing verisimilitude to the cop flick, as Popeye bellows and brutalises his way through a criminal fraternity.
The sequel is every bit as good. The film is bolstered by a number of high-strung set pieces; its combination of slasher-flick imagery, political intrigue and tragedy is intoxicating.
Pure panache and an admitted inspiration on such nobodies as Jim Jarmusch, Walter Hill and John Woo, Jean-Pierre Melville's cryptic thriller channels an almost abstract sense of fate and beauty.
At its core is actor Alain Delon's hitman: trenchcoat-clad, chiseled, a dude of few words. He glides through the film as if doomed; there's not an inch of fat on this plot, which never get sentimental, only colder and more aggressively on target.
The killer moment: Delon's assassin cruises on and off several Metro lines, even jumping a moving walkway to shake several different pursuers.
The guy is smooth. In his most honest and heartfelt performance, the late Bill Paxton plays Dale Dixon, a small-town sheriff who dreams of escaping to the city.
The killer moment: The opening home invasion is still shocking in its offhand brutality. The main accusation leveled at Bigelow — that she condoned the use of torture in her depiction of the hunt for Osama bin Laden — is hardly borne out in a deeply unmisty-eyed look at U.
Only Welles could pull off this literal fracturing of the image so confidently. The allegedly Buddhist opening epigraph is fake writer-director Jean-Pierre Melville simply made it up , but the sense of Zen purity that runs through this flawless French heist movie is wonderfully convincing.
As lean and meticulous as Japanese calligraphy, this is precision-tooled filmmaking. The killer moment: The silent robbery sequence is a minute master class in sustained tension.
Mercifully, it happens off-screen. Plus, it introduced the world to the cricket-obsessed comedic characters Charters and Caldicott, who went on to many more films and even a TV series.
The killer moment: Is Michael Redgrave the original Ethan Hunt or what? Villeneuve mounts spectacular set pieces the convoy sequence, shot by the great Roger Deakins, is a pulse-pounding standout , while also painting a bleaker picture of the lawless badlands than even Trump can muster.
Brian De Palma burnishes his Hitchcock fixation to a high sheen in this supremely confident New York City-set thriller, which features something of a surrogate character for the director himself: a teenage tech whiz Keith Gordon obsessed with cameras and spying devices who's bent on avenging the unsolved murder of his glamorous mother Angie Dickinson.
Trans movies have come a long way since this one. The killer moment: It's one of De Palma's purest sequences of total craft: a wordless flirtation between two strangers at the Metropolitan Museum of Art actually shot in Philly that becomes a missed connection, a painful rejection, then a chase.
The dramatic world of ballet is fertile ground for an exploration of professional jealousy and obsession. The killer moment: Warring prima donnas grapple in an intense, shape-shifting fight scene.
With such over-the-top delirium, who could ever think of ballet as prissy? Huge respect is also due to leading man Guy Pearce, who at times seems to be holding the whole project together through sheer force of will.
Where is Linda Fiorentino these days? Watching her sleek seductress Bridget double-cross an abusive husband and manipulate her naive small-town boy toy with a playful shrug is a turn-on in itself.
Jane Fonda gives an iconic performance as Bree, a prostitute who finds herself involved in a missing-person case being investigated by the titular detective Donald Sutherland.
The killer moment: Late at night, Bree lies in bed as her phone rings and rings, and the camera zooms out slowly. Never discount our need to laugh, especially when thrillers are involved.
Nick and Nora Charles — crime-busting couple, doting dog owners and constant drinkers — are two of the wittiest creations to ever grace the genre.
William Powell and Myrna Loy were never better than they were in this film and its sequels. The killer moment: All the murder suspects are gathered at a dinner table, as Nick holds court in a big reveal that goes sideways.
One river. Two canoes. Four manly men well, three and Ned Beatty on a rural getaway that goes dark fast. This is a film that explores the wholesale destruction of natural spaces, the ignorant superiority of city folk, the brutal beauty of the American landscape.
But return to the scene for its uneasy menace, lingering just under the music. Humphrey Bogart is a Dixon Steele, a tempestuous screenwriter who may have committed a murder in this Hollywood-set slice of noirish excellence.
Dixon and his neighbour turned lover, Laurel Gloria Grahame , make for a compelling and tricky pair, and the fog of moral ambiguity that surrounds them keeps us on our toes until a dramatic final twist.
I died when she left me. I lived a few weeks while she loved me. As Hitchcockian as ultra-chic blondes come, the rough-edged murder suspect Catherine Tramell made Sharon Stone an ageless star overnight.
With her husband Sam Neill stranded on a distant sinking boat, our flame-haired heroine gets resourceful, with plenty of shocks along the way.
The killer moment: Husband and wife, each in an unstable vessel, attempt to communicate by radio and every word, barely heard, could be their last.
Advice: If a pair of preppy strangers appears at your door asking to borrow some eggs, turn them away. Haneke truly believes in indicting our bloodlust; he remade this film, shot for shot, with Naomi Watts in It also made a huge star out of Clint Eastwood, hardened into iconic fury.
Director Fritz Lang dispenses with his anti-Nazi allegories to craft a byzantine story in which the not-so-good doctor Wolfgang Preiss has every room in a hotel under surveillance.
A high-angle shot isolates the suddenly motionless car. Its essential theme — the need to seek the truth — exemplifies the chaotic, activism-defined moment in which it was released, and rings urgently true in our era of fake news and government corruption.
The killer moment: Right-wing thugs in a truck speed toward a circle of protestors and beat a peaceful politician with a club.
Warren Beatty plays a crusading reporter who takes a deep dive into a secret organisation of political assassins; unwittingly, he has no idea how much they'd like to welcome him among their ranks.
The killer moment: Beatty's Joe Frady goes for an interview: He's led to a screening room where, Ludovico-style, he's subjected to one of the most radical silent montages ever presented by a Hollywood film.
Two men meet, entirely by chance. The result is witty, strange and endlessly fascinating. The thrills here leave a high body count, but are tempered by a sizable dose of existentialism, and the reliably great Isabelle Huppert brings welcome mischief to the role of a young mistress.
Quentin Tarantino tipped his hat to these villains — Mr. Blue, Mr. Green, Mr. Grey and Mr. Unforgivably, the Tony Scott remake ditched the brilliant final twist.
Leading man Alain Delon is stunning in his first major role, perhaps the epitome of male beauty on screen. The killer moment: The shocking first murder: sun, sex and premeditated stabbing.
Tokyo, A heat wave rips through the city, and a rookie policeman has his gun stolen by a pickpocket on a crowded trolley.
Shamed into action, he pursues the weapon across the city, uncovering a major gun-running ring. The killer moment: A spooky raid in which Richard wears a nightmare-inducing gas mask is straight out of an Otto Dix painting.
Funny Games director Michael Haneke understands the hidden guilt of the blissful bourgeois, tormented by outside forces — in this case, an unknown stalker with a camera.
With its improvised dialogue, pin-drop sound design and shocking violence, the result is terrifying, occasionally frustrating and utterly compelling.
Hounded out of the U. As Frannie, a teacher who becomes entangled with a detective investigating a series of murders, Ryan is basically the opposite of a cute rom-com heroine, and Campion creates a world of sexual menace, thick with violence yet never played for exploitation.
The killer moment: Early on, Frannie witnesses a woman going down on a man in the back room of a bar. This startling, surprisingly graphic moment sets the voyeuristic plot in motion.
We need more of them. In some key way the crux of Christopher Walken's spooky, stilted persona, Abel Ferrara's louche gangster picture has come to occupy a central piece of NYC iconography.
Walken plays Frank White, a vacant-eyed coke lord who, immediately upon release from prison, resumes his high-flying lifestyle — and idle mayoral aspirations — from a headquarters at the swank Plaza Hotel.
The killer moment: We all know Walken can dance, but you haven't seen how weirdly electric and menacing he can be until you've seen his flapping bird.
This instalment, the best of the Roger Moore days, is a fantastically entertaining breakwater between those two phases: escapist fun before the gadget-drenched silliness to come.
Special props go to Ken Adam, the production designer charged with creating an oceanic evil lair on a Pinewood backlot. This Melbourne-set crime thriller packs all the energy of an early Scorsese picture, while bringing something fresh and distinctively Aussie to the genre.
The answer? Characteristically cool, he plays Dave, a California DJ dealing with an increasingly unhinged fan-turned-hookup-turned-stalker Jessica Walter.
Charles Boyer is the viciously manipulative husband; Ingrid Bergman plays his victimised wife; and the audience is left desperately hoping for the cycle of mind games to finally end.
Lola Franka Potente needs to find a fortune in 20 minutes or her petty criminal boyfriend gets the chop.
Not only does writer-director Dan Gilroy satirise our addiction to gore and fear, but he also darkly rewards the despicable enablers of lowbrow culture.
This is their porn. Deliriously nuts and a treat for fans of the double cross, Gillian Flynn's bestseller found the ideal adapting filmmaker in David Fincher, whose doomy way with a thriller proved a ruse in itself.
The noose tightens around Nick Ben Affleck, impressively shifty , a bar owner and former hot-shot journalist whose wife, Amy Rosamund Pike, revelatory , a minor celebrity, has disappeared from their Missouri home.
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Meine Vormerkungen. Gangsterfilm von Quentin Tarantino mit John Travolta und Samuel L. Im Stream. Film vormerken.
Drama von David Fincher mit Brad Pitt und Edward Norton. Serienkiller-Film von David Fincher mit Brad Pitt und Morgan Freeman.
Drama von Luc Besson mit Jean Reno und Natalie Portman. Psychothriller von Alfred Hitchcock mit Anthony Perkins und Janet Leigh.Kannibalenfilm An accident results Dampflokfahrten Nrw 2021 the most expensive baggage-check fee ever levied. Computeranimationsfilm 9. Mafiafilm von Martin Scorsese mit Ray Liotta und Robert De Niro. Edward Saving Hope Schauspieler Robinson is the war crimes hunter who has his number. Sex-Film Zeichentrickfilm The premise itself is a thrill: A jaded photographer David Hemmings may have captured a murder in the background. Tierhorrorfilm Dixon and his neighbour turned lover, Laurel Gloria Grahamemake for a compelling and tricky pair, and the fog of moral Thriller Beste Filme that surrounds them keeps us on our toes until a dramatic final twist. Film noir comes to France the country that first invented the term for a specific kind of Hollywood thrilleras blacklisted American director Jules Dassin turns out a flawless Paris-shot thriller Die Lage a budget of about ten centimes. Gangsterfilm von Quentin Tarantino mit John Travolta und Samuel L. Excel Alter Berechnen Stichtag the seconds that follow, no one dares to breathe. Schweden Agentenfilm